Why I hate compilations

Back when I was at school, we all despised compilations. Thing is, they have no artistic integrity. Artists make albums, record companies make compilations.

It seems we lost the argument. When I search for an artist on Amazon and sort by bestselling, all the top choices seem to be compilations. Despite myself, I buy ’em. It’s got all my favourites on, I reason.

Then I remember why I hate them. It has all my favourites on, but two of them are the live version, and I wanted the studio version. Or vice versa. So then I have to buy the album that had the version I really wanted. And then I have crazy duplication.

I don’t even like it when they stuff extra tracks on the end of a classic album (I don’t mind when it’s a separate CD). The bonuses can be interesting, but they don’t fit. Unless, of course, it was a compilation to begin with.

There’s another reason I hate compilations. Sometimes it’s the only way to get some song that was released as a single, or some such. So you have to buy the compilation, 95% of which you already own, just for that one song.

I realise that this is one good thing about buying downloads. You only buy what you actually want. Well, I’ll cheerfully buy from Robert Fripp’s music download store, where the downloads are DRM-free and uncompressed, but not iTunes or one of the Windows DRM stores where neither of those is true. Actually, there is a Windows DRM store that offers lossless WMA, but the CD is still, usually, a much better deal.

Nevertheless, I realise that the CD is dying and it will be download-only at some future time. I’m pinning my hopes on a sane subscription scheme. In the meantime, did I mention that I hate compilations?