Music Writing

This is where I post about music: concert reviews, album reviews, and anything where I feel I have something to say.

There are a few things worth noting. One is that I embarked on a project to write about this history and music of Mott the Hoople and Ian Hunter. You can find an index to this work on a separate page here; it is also referenced in a post below.

You will also find a fair amount of content on David Bowie and Bob Dylan, two other enthusiasms of mine

Review: Nina Nesbitt and Owl City at Kings College, London

Yesterday I went along to Tutu’s, a club which is part of Kings College Student Union in London, to hear Nina Nesbitt and Owl City.

The venue was mostly great, top floor overlooking the Thames, friendly atmosphere, docked a point for terrible beer (no bitter whatsoever, let along draught). It was packed: Adam Young’s Owl City may get terrible reviews from the likes of NME, but he strikes a chord with many dedicated fans.

First up however was beautiful Scottish singer/guitarist Nina Nesbitt, who has just announced her own headlining UK tour. She has great stage presence and won over the audience with her passion, melody, strong percussive guitar and engaging personality. Highlights were the forthcoming single Boy, an earlier song called Glue, and by request an energetic cover of I’m Gonna Be (500 Miles) by The Proclaimers. She closed with The Apple Tree from her EP of the same name. She thanked the audience for listening to her – in other words, not talking loudly and heading for the bar – saying it was a rare experience, but if she keeps up this quality she will have no problem keeping attention. One to watch.

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At around 9.00pm Owl City came on to perform the last date of their 2012 summer tour. The opening was stunning: fired-up crowd, opening drums from Steve Goold, and then Young was on singing the opening number, Cave In from the album Ocean Eyes.

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The sound was not great – I heard some bass distortion from where I was in the gallery – but the power and energy coming from Young, the band, and the enraptured audience was not to be denied. The music was also more muscular than I had expected, benefiting from the backing of a full band which the recordings mostly lack, and a nice counterpoint to the dreamy, introverted songs.

A key song is Umbrella Beach, which was the closing number. Something about exploring inner space. “Home is a boxcar – it’s so far out of reach,” he sings:

Home will always be here unseen, out of sight
Where I disappear and hide
I think dreamy things as I’m waving goodbye
So I’ll spread out my wings and fly

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at which point Young does a marvellous Owl-like flapping motion with his arms, it sounds daft but we were transported.

I am old enough to remember being searched for cameras and recorders when going to a concert. Things are different now and everyone seemed to be making their own videos with smartphones held high. I even saw someone wielding an Apple iPad to take photographs. 

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The band was:

  • Jasper Nephew on guitar
  • Steve Goold on drums
  • Daniel Jorgenson on guitar, vibraphone, “he plays everything”
  • Breanne Düren on keyboards and backing vocals

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Emma Bladon Jones and Troubadour Rose at Bartons Nottingham

Last night I wandered over to Bartons in Nottingham, a newish venue in a converted bus garage – doesn’t sound promising, but it is fantastic, especially when tastefully set out with tables, candles and roses as it was last night for the second of its monthly unplugged events.

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The musicians were local singer and guitarist Emma Bladon Jones along with the London folk band Troubadour Rose.

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Bladon Jones was on first and treated us to an excellent set with her clear voice, sensitive songs and inventive guitar work. She played songs from her EP Life is Self Taught, a tender cover of In My Life by the Beatles, and a new song called Iris of War. It all went over well with me. She has a gadget called a loop box which lets her play a few bars and have them repeat live so she can accompany herself; seems risky but worked really well, and those moments where she experimented a bit with the sounds she could get from her guitar were highlights.

Next up was Troubadour Rose: Bryony Afferson (guitar and lead vocals), Lizzy O’Connor (banjo, mandolin and vocals) (and Gary Bridgewood (violin). Apparently the band used to be called something else, but came up with a song called Troubadour Rose (which they performed last night) and liked it well enough to rename themselves accordingly.

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It is a great song, starting quietly and gathering pace, full of melody and drama, driven by Afferson’s expressive vocals, O’Connor’s sweet harmonies, and Bridgewood’s at times frenetic fiddle.

Other highlights included the two songs from the band’s single, Labour of Love and Find and Arrow, which you can hear on Spotify or iTunes.

A great evening and a shame rather few people turned out to enjoy it; but a treat for those us who discovered it.