All posts by Tim Anderson

gaming

Fixing a Nintendo DS Lite

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Our Nintendo DS Lite developed a fault in the top screen. It would work occasionally, but then started going green and blotchy.

I checked the price on eBay – £12.00 for a new screen and a set of screwdrivers sounded worth a go.

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Nintendo decided to use special tri-wing screws for the DS Lite. I am not sure why gadget manufacturers use special screws because it does not take long for the DIY community to get hold of suitable tools, but I guess it deters the most casual tinkerers. This is why three screwdrivers were included in my package. There were also several plastic tools for prising open the case though I did not use these.

I found numerous guides on YouTube and elsewhere, though they rarely tell you everything you need to know

The operation was harder than I thought it would be. I can take apart a DS Lite in seconds now, having done it a few times, but the first time took a while as I learned where to prise it apart and which bits are likely to ping out and get lost – the left and right bumper buttons, for example, have tiny springs that are likely to come loose.

Why was it difficult? Well, to get at the top screen you have to disassemble most of the DS Lite, including the bottom part. There is a cable running from the screen to the motherboard that has to be pushed through the hinge, which is tricky. There are also two cables (antenna and microphone connectors) that have to be threaded under a metal assembly on the motherboard, and which tend to get stuck when out of sight. You can see these in the photo above – they are the black and white cables towards the bottom.

Another fiddly task is that the speaker wires are soldered to the aforementioned cable that connects the top screen. This means you have to detach them from the old screen and solder them to tiny pads on the new cable.

I also had difficulty reassembling the top part of the case. It seems to go out of alignment easily, and in fact it is still not quite perfect.

The outcome? Good news and bad news. The top screen works fine. However, when I reassembled the bottom case the plastic power switch must have been slightly out of alignment, because it broke the small protrusion on the internal switch. This means the DS Lite can now only be operated with a pin. This is a common problem, but unfortunately I did not find one of the guides which mentions the issue until it was too late.

Well, I have ordered a new power switch for a further £1.00 including postage. However, apparently replacing the power switch is another tricky job because it is surface mounted. We’ll see.

Postscript: I am happy to report a successful power switch replacement. I am not sure if it is attached quite as strongly as before; but for now it is working fine.

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BT selling Openzone wifi access by default through its customers broadband, some do not realise it

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Yesterday I spent some time helping a small business sort out its new broadband and voice over IP system. They have signed up for BT business broadband and were supplied with a pre-configured BT Business Hub, a combined ADSL router, switch and wifi access point.

I was surprised to discover that the hub was preconfigured to share the wifi connection to the whole wide world, via BT’s Openzone service.

Openzone is not a free service, although many BT customers have unlimited access as part of their broadband package. Non-BT customers who want to use it have to pay BT for access minutes.

Why would anyone want to do that? Here is the reasoning BT offers in its FAQ:

Why would I want to enable the BT Openzone service on my hub?

With the growing need for people to work how, where and when they choose, Wi-Fi users provides a great opportunity for Wi-Fi access on the move.

Wi-Fi users requiring access on the move are constantly looking for new hotspot locations, as the UK’s Wi-Fi footprint continues to expand.

The BT Openzone service on the BT Business Hub can provide the same Wi-Fi access that ‘premium’ hotspots offer, but without the infrastructure costs. Businesses enabling this service on their hubs can raise the profile of their business in hotspot directories and generate a new revenue stream through voucher resale.

Well, anyone can resell Openzone access vouchers; it is not linked to the access you are offering so it is incorrect to call it a benefit. This is unlike BT FON, which is a similar facility for home broadband customers, but with the difference that if you offer hotspot access through your broadband, then you also get it free from others. The real benefit is that if BT has lots of customers who do this, you are more likely to get hotspot access yourself when out and about.

The benefit for BT is more obvious. More wifi hot spots, more revenue from Openzone customers.

Now, what about the downside? BT has a whole series of FAQ responses addressing understandable concerns like: does it impact security, what about someone visiting an illegal site, what about performance?

Despite BT’s reassurance, the security question is easy to answer. Opening your wifi access point to the general public cannot improve your security, but it could weaken it. The cautious should turn it off.

The key question though: are BT customers fully aware of what they have agreed to? I asked the business owner who had dealt with BT, and he had no idea that the general public was being allowed to ride the broadband access he had paid for, with any revenue going to BT.

Further, it is on by default, and BT admits it could impair performance:

If your broadband connection has reduced bandwidth (less than 1Mbps), your private broadband traffic may be overwhelmed. BT recommend that you disable the service via your BT Business Hub’s web interface to improve performance. For further information on how to do this, please see How can I turn my BT Openzone service on and off?

Note:

As the hub’s default setting is for the service to be enabled, you need to disable the service again if you perform a factory reset in the future.

While I have little doubt that the small print of the BT agreement permits this Openzone element, I still question the ethics of BT selling its broadband service, and then selling the same service again to the general public, without directly sharing any revenue with the first purchaser, and without a clear opt-in.

apple, comment, mobile, reviews, tablets, Uncategorized

Battle of the portables: Netbook vs Apple iPad 2

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A semi-serious comparison

The popularity of tablets has seriously undermined the market for netbooks, according to many reports. But to what extent are the two comparable, and if they are, is a tablet unequivocally superior? I’m asking the question as much as answering, because I am trying out an iPad 2 and intrigued to see to what extent it can replace the netbook with which I normally travel. I have found I prefer the netbook to a laptop when out and about: the lightness and long battery life is worth the performance limitations for me.

The comparison is not straightforward. An iPad is a thing of beauty, whereas a typical netbook is an obvious compromise, nearly a laptop but limited in memory and performance. For some people that is enough; they will say, it is not about features, it is about the experience, and it is night and day.

Even so there are things that the netbook does better. What follows are some notes on the subject, based on the iPad vs a Toshiba NB 300 netbook with which I am familiar. I may add or amend the entries, so check back for updates.

1. Price

iPad2: £399 (wi-fi with 16GB)

Toshiba netbook: £230.00 (based on typical current price of NB305)

Winner: netbook

the netbook comes with Windows 7 starter, a crippled version of Windows, and only 1MB RAM. You probably want to add 1GB RAM (£17.00). If you want to join your netbook to a business domain you’ll need to upgrade Windows 7 to the Professional version; if you want to get rid of the annoying ads in Office Starter you’ll need to upgrade Office too.

2. Ease of setup:

iPad2: Switch on, and it asks you to connect to a computer running iTunes. This actually has its annoyances. iTunes is rather slow and bloated especially on Windows. When you connect, the default is auto-sync, which means iTunes will attempt to copy its music library to your iPad, likely not have enough room, and copy a random selection. If you have an iPhone, you will also get all your iPhone apps copied across, like it or not, which means you have to delete the ones you do not want.

Toshiba netbook: I recounted the “fairly dismal” experience of setting up a Toshiba netbook here. The main problem is all the trialware that is pre-installed, plus a bunch of Toshiba utilities of varying quality. Rather than repeat it all here, I will show show the screenshot a few minutes after first power-on:

Winner by a mile: iPad 2

3. Boot time

iPad 2: instant

Toshiba: ages. Better from hibernation, though still much slower than iPad 2. Better from sleep, but I am not a big fan of sleep because it drains the battery and occasionally crashes on resume.

Winner by a mile: iPad 2

4. Multi-tasking, or the ability to do several things at once

iPad 2: does multi-task but the experience is not great. Only one app is visible at a time, and to switch you have to double-click the big button, swipe through a list of apps, and tap the one you want.

Toshiba: It’s Windows. Fortunately Microsoft changed its mind about having a limit of three apps you can run at once. You can run lots of apps, switch between them with alt-tab or by clicking a taskbar icon, and size them small so you can see more than one on-screen at one time.

The simplicity of one app to view is meant to be an advantage of iOS; but while the Windows model can be troublesome – see the above screenshot for proof- I’d like to see some improvement in this part of iOS. It is not a matter of screen size: the screen size on the netbook is similar to that of the iPad.

Winner: netbook

5. Keyboard

iPad 2: soft keyboard that obscures half the screen, or add-on physical keyboard.

Toshiba netbook: traditional clamshell design with integrated keyboard.

I do a lot of typing, and my speed is substantially better on a physical keyboard. However I do not like carrying lots of accessories, and while the iPad add-on  keyboard is fine at a desk, if you are in a confined space such as an aeroplane the clamshell design works better than a loose keyboard.

That said, I recall hearing how a school that issued all its pupils and staff with iPads was surprised by how few wanted keyboards. Some kids apparently prefer the soft keyboard to “all those buttons”, so it may depend what you are used to. However, even if you replaced the “Keyboard” heading with “Text input”, my vote would still go to the netbook.

Winner: netbook

6. Touch control

iPad 2: yes

Toshiba netbook: no

I’m putting this in just to make the point. Even a Windows tablet, with a stylus, is less convenient to use with touch than an iPad.

Winner by a mile: iPad 2

7. Applications

iPad 2: A bazillion apps available in the app store, cheap or free to purchase, a snap to install. Not so many for iPad as for iPhone, but still a good number.

Toshiba netbook: It’s Windows. They are a bit slow to load, but I run Microsoft Office, Outlook, several web browsers, music apps, games, network utilities and all sorts of other stuff.

Winner: I am going to call this a tie. There are some beautiful apps for the iPad 2, but I miss the features of Windows apps like Office. With the netbook my experience is that I can do almost anything that I can do with a desktop PC, although more slowly, but that is not the case with the iPad 2. On the other hand, the way apps can be installed and removed in a blink on the iPad 2 is a delight compared to Windows setup.

8. File system and storage

iPad 2: There is a file system, but it is hidden from the user.

Toshiba netbook: Yes. I can save a document from one app, and open it in another. I can connect to it over a network and copy files from one folder to another. Not possible on the iPad 2 without workarounds like iTunes and DropBox; and even then some things are difficult. For example, you cannot save a document from Pages on the iPad directly to your DropBox. Let me add that the netbook has a 250GB hard drive, whereas the iPad gets by with a maximum of 32GB solid state storage – though also note that solid state storage is faster to access, and that because the iPad is designed to work like that it does not feel particularly space-constrained.

Winner by a mile: netbook

9. Connectivity

iPad 2: Wireless network, or devices that accept Apple’s proprietary connector. You can attach the iPad to a PC with USB, but only iTunes really understands it, unless you just want to copy photos and videos. Apple offers an add-on camera connectivity kit for downloading photos from a camera, and AirPrint for printing over a network. It is annoying that you have to buy add-ons to do what a netbook does out of the box.

Toshiba netbook: Three standard USB ports, you can attach external hard drives or most USB devices such as printers.

Winner: netbook

10. Battery life

iPad 2: Apple says up to 10 hours, but I have never managed as much as that. Maybe 7 or 8 hours.

Toshiba netbook: I get about 6 hours on wifi, more than that without.

In practice, I have no quibble with either machine – though I am envious of Amazon Kindle owners with their one month charge.

Winner by a whisker: iPad 2.

11. Portability

iPad 2: no bigger than a pad of paper. It is not exactly pocketable, but slips easily into any kind of bag or briefcase. It perhaps needs the protection of a case, but even in a case it is not bulky.

Toshiba netbook: fatter and uglier than an iPad, but still very portable. The worst thing is the power supply, if you need it: the Apple mains adaptor is much smaller than Toshiba’s effort.

Winner by a whisker: iPad 2

12. Watching videos

iPad 2: Great. It is like a portable TV or DVD player, but better – as long as you have a strong wifi connection and BBC iPlayer or the like. Just prop it up on its stand (most cases have one) and enjoy.

Toshiba netbook: it works but the graphics capabilities are inferior and it feels like you are looking at a netbook.

Winner by a mile: iPad 2

13. Built in cameras and microphone

iPad 2: two cameras, front and back, and a microphone that works.

Toshiba netbook: webcam and microphone, but they are junk; I have not seen a netbook with anything decent.

Winner by a mile: iPad 2

14. Reading eBooks

iPad 2: iBooks app and Amazon Kindle app. I prefer the Kindle app, though whether it will survive Apple’s assault on alternative readers I am not sure.

Toshiba netbook: Kindle app, as well as Adobe Reader etc.

A tablet is great for reading, much better than a netbook. However despite its humble appearance Amazon’s Kindle device really is better for reading, thanks to a screen you can read in sunlight, much longer battery life, and free internet access to download books everywhere.

Winner: iPad 2, though a Kindle is better

15. Attract admiring glances

iPad 2: Yes

Toshiba netbook: No

Winner: I did say “semi-serious”.

apple, gadgets

Google seeks to automate the home

Google made a bunch of announcements at its Google I/O keynote today. It showed off the next version of Android, called “Ice Cream Sandwich”; it announced its Music Beta, a service which looks a lot like Amazon’s Cloud Player, in which you upload your music collection to the cloud; it announced movie rentals.

The most intriguing announcements though were about how Android devices will be able to connect to other devices in future. The Open Accessory API lets manufacturers create devices which talk to Android over USB, and in future over Bluetooth, in a standard manner. The idea is that if you have an Android-compatible device – Google demoed an exercise bike – you can attach your smartphone and do some clever stuff, such as controlling it, analysing its data, or whatever is appropriate.

A related idea is called Android@Home. Google has developed a new lightweight wireless protocol which will let manufacturers create household devices that can communicate with Android:

We previewed an initiative called Android@Home, which allows Android apps to discover, connect and communicate with appliances and devices in your home.

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The automated home is a grand concept where almost any device, from a light to a coffee maker to a fridge or a door becomes available to control and program. However, the examples Google gave were not exciting: playing a CD by waving it at a player, coding an alarm clock to turn the light on gradually. Big deal.

It is not really a new concept. Sun had ideas to develop Java as a universal runtime and language to automate the home. Microsoft has similar thoughts, maybe using the .NET Micro Framework. So far none of these efforts have come to much – will Google’s initiative be different?

Probably not; but there is something else going on here. I travel a bit, and it is now common to find an iPod dock in your hotel room. If you have an Ipod or iPhone you just plug in and go; if you have a non-Apple device, you are out of luck. That is a kind of pressure exerted on every guest, a hint that they might be better off with an Apple device.

Google wants to do the same for a variety of other devices, but with respect to Android. Here is a refrigerator, and by the way, if you have an Android device you can do this other clever stuff like, I don’t know, alerting you if the temperature goes too high, or letting you peek at the contents from your smartphone so you can see if you need to buy milk.

Same with the Open Accessory API. If Google can sign up enough manufacturers, it will be increasingly difficult for non-Android devices to compete.

That said, we did not hear much about Google TV at today’s keynote. Why? Because it has flopped; a reminder that not all Google’s efforts succeed.

apple, mobile, tablets

Apple’s iPad 2 Smart Cover: great stand, poor cover

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I’ve been trying Apple’s iPad 2 recently, complete with the official Smart Cover.

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This was shown off at the launch event. It is meant to combine various features:

  • Keep your screen safe from scratches
  • Turn the iPad on and off when opened and closed
  • Clean the iPad screen with its microfiber lining
  • Form a support for the iPad for typing
  • Form a stand for the iPad so you can use it as an expensive digital photo frame

Although a cover seems a simple thing, it seems the results of considerable design effort. It has a magnetic strip which attaches to the left long edge of the unit. The magnet is strong, the fit is perfectly snug, the iPad does turn on and off as advertised.

So what’s wrong? One issue is that unless you detach it completely, the cover is a nuisance when open. You can fold it round the back, but it slips and slides a bit as well as covering the rear camera. So you can detach it, but then you have to put it somewhere, and the magnetic strip is more fiddly to detach and re-attach than a simple slip-on cover.

More seriously, users have complained about several issues:

  • Cover is too flimsy to offer good protection
  • The close fit of the hinge lessens over a few weeks, presumably as the metal bends and stretches slightly
  • The microfiber lining forms the base when used as a stand, so picks up dirt that then gets deposited on your screen

Some users say it it flops over when used as a stand, but I believe this is because they are folding it the wrong way. You must fold it against the grain, so the microfiber is on the outside. Otherwise, yes it flops.

My view: the Smart Cover makes a poor cover, but a great stand. Of course it is a huge price to pay for just a stand, but if you are using the iPad to watch BBC iPlayer, for example, the stand is perfect, much better than trying to prop it up somehow.

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It is a terrible cover though. Bear that in mind before you buy.

apple, gaming, mobile, reviews

Funbridge: bridge for iPhone and iPad

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There are several bridge app for Apple’s iPhone and iPad, but the one I’ve had most fun with is called, appropriately, Funbridge. This is already well-established as a Windows application, where you play against a computer but can compare your performance to other players, making the results much more interesting.

The iOS version is currently a free app, and has just been updated to include Tournaments as well as one-off games, now called Training.

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In the latest version, you have to log in to play more than a couple of games, though the account is free.

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Bidding and play is straightforward, with a few caveats. There is no fine-grained control over bidding conventions; you can choose between Beginner, Advanced, Expert, American Standard, Acol, or Polish system. Unless you choose Acol, these are all strong no trump, 5 card major systems. It is worth reading up on the systems used in detail, as otherwise you will get unpleasant surprises.

Note that during both bidding and play, Funbridge will call back to the server before every decision. This means you cannot play offline, and if you are playing where the internet connection is weak, such as on a train, you can expect frustrating delays; games can take so long that you forget what has been played!

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During play just tap a suit to display all the cards you hold in that suit, then tap a card to play. Take care – there is no undo, and it is all too easy to tap the wrong card and then watch with horror as you see your safe contract sailing down to a penalty.

You can choose to withdraw on a hand, in which case it is not scored, but if you then play it again, you are given a kind of informational score that does not count towards your ranking. It can still be interesting to see how a different line works out.

Once play has completed, you get to compare your score with others and see how many IMPS (International Match Points) you achieved.

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A really nice feature is that you can click the magnifying glass and get details of each contract, including card-by-card analysis. So if you are amazed at how well or badly someone managed to do, you can see how it happens. Sometimes, I have to say, it happens only because of a baffling misplay. I imagine this happens when the computer is playing on the other side, unless there are serious bugs in the engine.

A Tournament is a sequence of 10 games, at the end of which you can see how you rank among the other players, currently ranging from 150 to 750 or so in number. Scoring in tournaments seems to alternate between IMPs and Pairs scoring – the difference being that Pairs scoring rewards small differences in the score and makes big differences less costly, whereas with IMPs the reverse is true.

Overall it is enjoyable, though as in real bridge there are moments of frustration. The hands seem tilted towards more interesting or better than average holdings, though it is hard to be sure.

One complaint: the server seems to get too busy at times and the software does not cope particularly well; you click Connect and there is no error message, nothing happens.

Enjoy it for nothing while you can – it is “currently free” but I suspect will eventually attract a subscription cost – maybe a similar subscription rate to the desktop version, €74.00 for a year, or maybe something different.

audio, mobile, music industry, rants

Why Spotify should stick to streaming, not copy iTunes

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Today Spotify announced iPod support. Essentially it has reverse-engineered enough of the Apple iPod’s protocols to let you connect an iPod and sync a Spotify playlist to it.

The catch: in order to sync a playlist you have to buy MP3s for all the tracks it includes.

Spotify has great software and I love the service, though sadly it is now crippled for free users. It already supports smartphone users through an offline feature, combined with a mobile app, though this requires a premium account.

The new model is different. Instead of being an offline cache for streamed music, it is old-style MP3 purchase. In fact, the promotional video presents the new feature in simple terms: you can now purchase and download your Spotify playlist.

So what is Spotify now? A streaming service, or a download service? Was the crippling of the free service done with this in mind, to push users towards MP3 purchase? Is this another symptom of music industry pressure? Will Spotify further cripple its streaming service, to promote download purchases?

Personally I have little interest in yet another MP3 download option. For iPod or iPhone users, Apple iTunes wins on usability and integration, Amazon MP3 on price.

I have great interest in subscription though. Spotify has been liberating in this respect. Want to play something? Just search and play, instantly. That is what Spotify does so well. It should stick with it, rather than moving back into the download era.

apple, smartphones

Photosynth for iPhone: capturing the unphotographable

We are having some unusually fine weather in the UK and I went for a walk in the Derbyshire Peak District yesterday. I was reflecting how hard it is to photograph wide vistas of countryside when I remembered that I installed the Microsoft Photosynth iPhone app a couple of weeks ago.

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It really is easy to use: you just fire up the app, tap to start a new picture, and turn the iPhone to new positions guided by on-screen markers. When the iPhone beeps, hold it still and a new photo is added.

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Panoramic photography is not new of course; my old Canon Ixus has a panorama feature. However, you have to navigate several menus to get the mode engaged, manually position the camera, and then use a separate application to stitch the images together.

The Photosynth app by contrast is great to use, and I have taken a landscape picture which I would never have bothered with before. My only complaint is that the beep can be hard to hear, but even if you miss it, the app does a reasonable job, especially in bright sunlight.

There are plenty of interesting images now turning up on the official Photosynth site – check the Mobile Panoramas section.

For more information see the official announcement post and video.

The point to ponder is why the app has come out first for Apple’s iPhone, rather than the company’s own Windows Phone7? Apparently a Windows Phone version is in preparation.

audio, music industry

First encounter with Spotify sixth play bar – but what is the reason?

When I fired up Spotify today I was greeted by this large banner:

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Free listening has gone, unless you are happy not to have repeat listens. After five times, that’s it.

I sacrificially endured playing Winchester Cathedral by The New Vaudeville band five times over. I discovered that simply starting a track does not seem to count. On the sixth attempt to play the full track though, I got a slightly modified version of the above banner, and then a message along the top of the Spotify app:

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As a point of interest, this particular track is on a large number of different compilations of 60’s compilations. Spotify seems to consider each appearance a different track. So I was able to endure a sixth play of the track by picking a different compilation.

Why has Spotify made this unpopular change? The suggestion in the official blog post is that it was forced upon the company, either by financial necessity or the insistence of the music industry:

It’s vital that we continue offering an on-demand free service to you and millions more like you, but to make that possible we have to put some limits in place going forward.

There are over 9000 (mostly negative) comments post, but as far as I can tell no further official comment there.

Spotify’s chief content officer Ken Parks was available for interview and quoted by various sources; for example he told the Reg:

We’ve shown that the model is doing extremely well, but as things stand we need to tweak the service to ensure everyone has access to legal music in the long term.

Similar tone, but still no hard information. As for CEO and founder Daniel Ek he tweeted:

Things are not always what they seem…

which if it means anything means “watch this space” I guess.

The affect of the change is easy to predict. There will be more subscribers, but fewer users. Spotify will be less attractive to advertisers, but will get additional subscription income. Since it is still a good deal with the basic subscription, I would expect income to increase overall, but that is only a hunch.

I like Spotify’s performance and usability. The one thing I have against it is the annoying tendency of tracks to disappear suddenly. I played Paul Simon’s latest, So Beautiful or So What, on the service and enjoyed it. Then the next day it had disappeared. Even subscribers to the unlimited service do not get everything, only those tracks which the various rights holders permit.

apple, audio, gadgets, mobile, reviews, smartphones

Logitech’s Squeezebox app for iPhone and iPad: nice to have but a missed opportunity

Logitech has released a Squeezebox control app for iPhone and iPad, to match an existing app for Android.

I am a Squeezebox fan. The system is excellent for multi-room – just put a Squeezebox player in any room where you want music, put it on your home network (usually wifi), and it finds your music collection. You can get a player like the Touch, which I reviewed here, or an all-in-one unit like the Boom, which I reviewed here. I rip CDs to FLAC using dbPowerAmp. Squeezebox does multi-room properly, in that each player can play something different, and the sound quality is generally excellent. Internet radio is also available, and there is no need to have a separate tuner.

That said, the appeal of Squeezebox is limited by the techie nature of the product, especially the software. When Logitech acquired Slimdevices in 2006, I thought we might see a new focus on ease of use, but it has not really happened. Apple does this better, making it hard for Squeezebox to compete with iTunes and Airport Express or Apple TV, even though the Squeezebox system is more open and superior in some ways.

There are multiple ways to control a Squeezebox player. You can use a remote to navigate the display on the player, whether the simple but bold display on a Classic, or the graphical colour display on a Touch. You can use touch control on a Touch screen. You can use a web browser on a PC, Mac or any machine on the network. Or you use an app such as SqueezePlay on a PC, or third party apps like iPeng on iOS, or Squeezepad on an iPad.

All these methods work, but in general the web browser is the most feature-rich and good if you are sitting at a desk, while the apps are better if you have a suitable device like an iPhone, iPad, or Android smartphone. The remotes work, but you need to be close enough to read the display and navigation can be fiddly.

An iPhone app is ideal though, so it is great news that Logitech has now released an official app for the iPhone. It is free, and unless you already have iPeng a must-have for Squeezebox users who have an iPhone. Apps are better than a remote for all sorts of reasons:

  • No need to point at an infra-red receptor
  • No need to read a distant display
  • Album artwork on the remote
  • More features conveniently available

I downloaded the new app and ran it. The first thing you have to do is to log into Mysqueezebox.com, Logitech’s internet service. In fact, the impression you get is that you cannot use the app without logging on. I am not sure if there is any way round this, but it seems odd to me. Presuming you are using a local Squeezebox server, why require log-on to an internet service?

I already have a Mysqueezebox account though, so I logged on, whereupon the various players we have around the house appeared for selection. Once selected, I get a menu similar to that on a physical player or on SqueezePlay:

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If I click My Music, I can navigate using the usual range of options, including Artists, Albums, Genres, New Music (which means recently added) or my favourite, Random Mix. Just selected an album is not enough to play it, but shows the tracks; tapping the first track starts it playing. Eventually you will get the Now Playing screen, which you can also access by pressing the musical note icon on the Home screen.

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Perhaps I am fussy, but I am not happy with this screen. As you can see, the album artwork is overlaid with text and controls, and although a progress bar can be shown or hidden by tapping, the other controls seem immoveable, which means you cannot see the full artwork.

My other complaint is that the user interface, while familiar to those who already know Squeezebox, lacks the usability you expect from an iPhone app. Operating it takes too many taps. Take search, for example. You want to find a different song, so you tap Back to get the Home screen, then Search. Type something in, then click Search. The next screen then asks whether you want to search in My Music or Internet Radio. You tap My Music, and still get no results, just a list that says Artists, Albums, Songs, Playlists. You tap Songs, and now you finally get a results list. Tap a song to play.

Personally I think search is such a critical function that it should be available directly from the Now Playing screen; and that it should be smart enough to look for matches anywhere it can and present some top matches immediately.

Another annoyance is that you cannot actually play a song through the iPhone itself. This is such an obvious feature that I cannot understand why Logitech has not implemented it; it would enable your Squeezebox music collection for personal listening on a device. Perhaps Logitech imagines that it is protecting sales of its players, when in fact it is just undermining the appeal of the system.

Well, it is free, I like the Squeezebox system, and the app is useful, so perhaps I am complaining too much. It is frustrating though, because with a little investment in software Logitech could bring its excellent features to a broader group of users.